C S T O N Y w/ Pierre de Gaillande | Tuesday February 28th 10PM | Tonic - NYC
Hello everyone!
come, see and hear...
the C S T O N Y with special guest Pierre de Gaillande
when: Tue Feb. 28, at 10 pm
where: Tonic
door: $10
looking forward to seeing you
greetings
fa
C S T O N Y stands for:
Contemporary Sound Track Orchestra New York,
and is the most straightforward name for a one-man orchestra.
It will play and perform live improvised electronic music for the silent movie classic:
'MAN WITH A MOVIE CAMERA' (1929) by Dziga Vertov.
with special guest: Pierre de Gaillande
Directions:
Location
Tonic is located at 107 Norfolk Street between Delancey and Rivington Streets in Manhattan's Lower East Side.
By Train
You can take the F train to Delancey Street or the J/M/Z trains to Essex Street. Once you exit the station walk east (towards the Williamsburg bridge) on Delancey Street and take your first left onto Norfolk. You will see Tonic about half up the block on your left.
Parking
Parking is sometimes available on Norfolk Street. There is also a municipal parking garage right around the corner on Essex Street between Delancey and Rivington.
Pierre de Gaillande is a multi-instrumentalist song writer-composer. He
records and performs in three New York bands; Melomane
(www.melomane.org) C. Gibbs Band (www.cgibbsreview.com) and Sea Foxx
(www.myspace.com/seafoxx.)
Pierre recently composed the music for three film projects; a
documentary about the indie-psychedelic-Christian-folk band the
Danielson Famile (www.danielsonmovie.com) which will premiere at SXSW
2006; "Dr. Bronner's Magic Soapbox," a documentary about the eccentric
soap-maker directed by Sara Lamm (www.magicsoapbox.com); and "A Perfect
Dress," a short directed by Rose Viggiano. Last year, Pierre backed Vic
Chesnutt on guitar, trumpet, and keyboards for three sold-out shows in
New York.
C S T O N Y is Swiss-born Italian music artist/producer Fa Ventilato. Fa will play and perform live improvised electronic music for the classic silent film, MAN WITH A MOVIE CAMERA (1929) by Dziga Vertov. The music is made through real time CD manipulations with samples of classical instruments and loops. Compared to Michael Nyman's 2002 score, Fa's version takes on a freestyle approach, incorporating the art of looping and sampling with dj-mixing skills.
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